2020

场域特定装置（光敏媒介图像装置、声音、影像、夜光矿石、仿真火车模型、紫外线灯）

尺寸可变

“岛屿”系列 - 向橘红色的天空叫喊是艺术家沈凌昊为此次URBANCROSSGallery个展“希望”所创作的全新场域特定装置。整件作品包含了摄影、影像、声音、空间、装置等多样性的创作媒介，并试图创造出一个沉浸式的空间剧场。

整件作中循环播放着“顶楼的马戏团”乐队于2002年创作的单曲《向橘红色的天空叫喊》。艺术家深深着迷于这首单曲中宣言般的呐喊，以及对于困境强烈且充满诗意的对抗性，并试图将这首单曲作为整件作品的情感基调，与之相呼应的是空间中随机闪现的2020年9月因持续燃烧的山火而被染成赤红色的旧金山天空影像。整个空间的墙体悬挂着15幅被切割成岛屿形态的光敏媒介图像装置，并由空间中央环形运动的火车装置所照亮。图像装置呈现的影像是艺术家在阿那亚夜晚的海岸线上将光指向虚空的行为记录，并通过光敏转印技术制作于铝板之上，感光图像表面镶嵌着艺术家所收集的天然夜光矿石，而安装于作品背面的紫外线灯会根据火车的运动光源以及空间中的声音频率产生多形态的交互变化，而与之相对应的感光装置与夜光矿石的表面，会因为感光材料的“留光现象”记录下闪烁、变化、运动等多形态的光的轨迹，并随着时间慢慢消逝。艺术家试图通过影像、声音、新材料以及空间的动态化构建来形成与每位观者当下处境的链接，并试图讨论生命、时间、希望、以及灾难之后自我治愈的可能。

Site-specific installation (photosensitive media image installation, sound, video, luminous ore, railway simulation model, UV light)

Dimensions variable

Island Series: Shouting to the Orange Sky is a new site-specific installation created by the artist for his solo exhibition "Hope" at URBANCROSS Gallery. The whole work contains diverse creative media such as photography, video, sound, space, installation, etc., and attempts to create an immersive theater.

In this work, the 2002 released single "Shout to the Orange Sky" created by the band "Top Floor Circus" was played in a loop. The artist is deeply fascinated by the manifesto shouts and the strong poetic confrontation of the dilemma in this song. He tries to use this song as the emotional tone of the whole work, echoing the image of the sky of San Francisco, which was dyed red by the continuous burning mountain fire in September 2020, flashed randomly in space. The walls of the entire space are hung with 15 island shaped photosensitive image cut into island shapes and illuminated by a circular motion train device in the center of the space. The image presented by the installation is a record of the artist's trace of directing light to the void on the coastline of Anaya at night. It is made on an aluminum plate through photosensitive transfer technology. The surface of the photosensitive image is inlaid with naturally luminous minerals collected by the artist. The ultraviolet lamp installed on the back of the work will produce multi-form interactive changes according to the moving light source of the train and the frequency of the sound in the space. Accordingly, the surface of the photosensitive device and the luminous ore will record the track of flicker, change, movement, and other forms of light due to the "light-retention phenomenon" of the photosensitive material, and gradually fade over time. Through images, sounds, new materials, and the dynamic construction of space, the artist attempts to establish a connection with each viewer and to discuss life, time, hope, and the possibility of self-healing after the pandemic.

2020

场域特定装置（感光材料、纤维、运动装置、定向光源装置）

尺寸可变

新冠病毒的全球肆虐，在世界范围内撕开一道关于生命、经济、文化、以及人类间彼此信任的裂痕。每个国家、城市以及个体都似乎成为了一座孤岛。艺术家希望在“岛屿”系列 – 每个人都是一座孤岛，所以才需要光这件作品中再次构建起每一个个体间的彼此联系。在这件作品中整个空间由对应7色光谱的彩色感光纤维所覆盖，艺术家基于对特殊感光材料与技术的深入研究，赋予了这些颜色以特别的“留影”效果。空间中央的定向光源装置会以匀速/变速两种状态平缓旋转，并对空间的多个方向定向曝光，以激活作品中的彩色感光纤维涂层。在作品前驻足的观众和他们的动作姿态会被短暂记录在空间的墙体上，而后随着时间慢慢消失。整件作品是一个开放的、沉浸式的互动空间，艺术家邀请观众穿行于“时间”之中，感受光对于身体的穿透，留下生命的痕迹。而每位观者的影子如同个体在时间中的分身短暂停留于空间中，既彼此联系又相互作用，艺术家试图通过在公共空间中创造一种隐喻性的个体连接，修复人们彼此间心灵的裂痕与疏离，并将“希望”再次聚集。

2020

Site-specific installation (photosensitive material, fabric, motional UV light)

Dimensions variable

The COVID-19 pandemic has had a huge impact on the global world on the aspect of life, economy, culture, and mutual trust among humans. Every country, city, and individual seems to have become an isolated island. In Island Series: We all need light, as we are each an island, the artist hopes to rebuild the connection between each individual. In this work, the entire space is covered by colored photosensitive fabrics corresponding to the 7-color spectrum. Based on the in-depth research on photosensitive materials and technologies, the artist creates a special shadow effect with these colors. The motional UV light source in the center of the work will rotate smoothly at a constant speed and variable speed, targeted multiple directions in the space to activate the colored photosensitive fabric in the work. The audience and their movements in front of the work will be briefly recorded on it, and then fade over time. The whole work is an open, immersive, and interactive space. The artist encourages viewers to walk through the concept of time, feel the lights project on their bodies, and leave the traces of life. The shadow of each viewer is like an individual's avatar stays in the space for a short time, connecting and interacting with each other. The artist tries to repair the rift between people's hearts by creating a metaphorical individual connection in the public space and gather hope again.